Naming Characters Part II

Apart from my nagging about keeping a writer’s notebook, here are four more name tips:

Suitability – Have you ever met someone whose name fit them so well, that every time you’ve heard their name, your mind’s eye sees them? Seek that level on naming intimacy in your character creation.

Connotation – Here’s a trick for when you need a name that carries an idea. Select a word archetypical to the personality that you wish to convey to your reader. Now, stuff the word into a pillowcase, and beat it until it’s beyond recognition. Poke a funnel into the top of your computer, and empty the pillowcase into aforementioned funnel. Shake pillowcase to get every drop. Burn pillowcase to destroy forensic evidence. Now then, the word you see on you monitor is totally unique, but still has enough phonetic similarity to the-word-you-just-bludgeoned, that the connotation of its meaning still carries over to your reader.

EXAMPLE: In my Fantasy Novella White Iron, I needed a name for a primitive group of Orq barbarians. I landed on the word Neanderthal, and one pillowcase later, Clann Nintrithaal was born. There’s more. I informed my first two critiquers of my naming strategy, then asked them to guess the connotation word. Twice, the word Neanderthal was Bach to my ears!

Aesthetics – Be a word-smith. While selecting a name suitable to your character, craft syllables that are pleasing to both the eye and ear.

Simplicity – Don’t get so carried away making nice syllables that your reader trips over the name every time he sees it. An example of my own: Zuielmann. I thought the reader would easily pronounce this, Zool-men. I was wrong.

The moral of this non-fiction story is that names are an author’s fingerprint on their work. Story details last on a reader. I read Terry Brooks’ Sword Of Shannara when I was sixteen. I’m forty-something now, yet the exotic name Panamon Creel still lingers in my memory. Do that!